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Parallel Lines – Music for Traveling, an ImprovFriday event

High Plains

High Plains

An amazing recorded and live music event was had this last weekend (June 23 – 25) over at ImprovFriday, the new music social community on the Ning network. The ‘thread event’ as it’s come to be known saw the creation of 43 new musical works by 25 regularly contributing ImprovFriday member artists and 4 live streaming video concerts by 5 member artists. With this WhatsNewAtImprovFriday edition I join Paul in doing some review commentary of the weekends event. In addition we are pleased to have guest commentary by fellow ImprovFriday member artist Chris Vaisvil.

First Paul’s comments…

As in weeks past, I’ve let the random number generator pick some of the pieces posted this week.  Lots of good things to hear!



Steve Layton 
- Playing Monomaze – Strong opening – almost Moshier-like – and then a sudden switch to something quiet and subdued.  Now a definite beat and electronica at 1:00.  Shots, explosions – game-like in a way; more JP Kervinen influence here.  A convincing game track.



Shane W. Cadman
Piece062411 – Lovely clarinet playing here – seems to rise out of the tuning of the band.  Some beautiful passage work.  Dark, mysterious – like being deep in the woods at night.  Well crafted.



Adam Kondor
BeginningOfTheEnd – All the way from Thailand, Adam is writing for a woodwind ensemble consisting of piccolo, oboe and clarinets.  Agile, bright sounds with darting movement and lots of fast runs and trills.  This will be a good workout for the players!  Lots and lots of what woodwinds do best.  Interesting harmonies and texture.  A work in progress, according to Adam.  



Steve Moshier
Glass Blizzard – Very evocative title.  High-pitched shards of sound but surrounded by warm moving tones and some gentle clanking.  Fairly tame for a Moshier – maybe next time we will get ‘Glass Storm’  :)



Joel Sutton
Escape by Train – Short staccato bursts – like telegraph code, accompanied by soft strings and a booming bass.  At 1:50 the telegraph doubles in speed, then returns to its original rate.  A sort of tension here – like we are waiting for the last train out.  Intriguing.



Jeff Fairbanks
hy – Dreamy, dance-like with a nice off-beat rhythm and floating passages. Develops nicely as layers of new sounds are added. Pleasantly addictive.



Steve Moyes
Ducktrain – Sounds more like a train than a duck…  Nice chimes.  Announcements, talking – a busy place!  Now a clarinet – the train seems to be moving.  Is that a duck call at 2:30?  More clarinet, voices – a strange trip!  



Peter Thörn
The Joy Of Travelling – Airport announcements – now I’m thinking there might be a bit of sarcasm in the title…  Point taken!



Norbert Oldani
Passacaglia #1 – Soft, gentle tones that drop off suddenly into distortion, then recur in a sort of pattern.  Goes through a series of registers and various processing levels.  A sort of ‘circle of fifths’ but in different tuning schemes, I think.  Instructive of the possibilities.

Jim Goodin – 
Trains (Soliloquy for Steve Moyes) – Love those violin loops!  A solitary sound, despite the several layers – the texture is consistant and in keeping with the title.  A feeling of stasis – waiting for a coming train, perhaps.  Restful and introspective, even a bit mournful – tried stretching a piece of this for a mix this week. 



Kavin Allenson
Slojourn – High plains music – you can feel the sky and endless horizon.  Evocative and reflective.



Chris Vaisvil
Seeing the Doctor – The voice of a hypnotist – we are learning how to relax.  Some ominous music builds underneath.  At 4:30 the voice becomes fully electronic and a steady beat builds.  At 5:00 we have vocal singing added.  By 6:00 it is straight-ahead with guitar and by 11:00 we are in full game mode.  A sense of being under anesthesia, I think.  Quite a trip – I’d hate to see the bill! 



Roger “ErocNet” Sundström
The Giants Arduous Journey – Echoes of Wagner – Fafnir and Fasolt lumbering onto the stage to collect their loot!  Suitably ponerous and thunderous footsteps here – truly giant.  Very convincing!




Some Non-Random Thoughts – 

Thanks to Jeff Duke, Jim Goodin, Jukka-Pekka Kervinen and Steve Moyes for playing live for us this week – great job as always!

Congratulations to Steve Layton on his successful escape from Florida to Dallas. 

Good to see Adam Kondor and Ken Palmer back among us. 

Congratulations to Peter Thorn on his new album ‘In Touch’ on Alonetone.  If you are releasing a CD collection be sure to let us know! 

Thanks to everyone who contributed to the ImprovFriday Fund Raiser last week – we have made our goal and will be able to pay ning fees for 2012.

 Looking forward to a long weekend here in the US so bring your best to us next week!


Paul Muller

And as a special guest, review notes by ImprovFriday’s Chris Vaisvil.

Steve Layton
Playing Monomaze => this is such a trip – feel like I’m in a game.

J.C. Combs
Internal Excursion => I’m assuming Paul’s Extreme strech – very cool ambience.

Jérôme Poirier
#00CED1 => I like wide range of sounds you get out of your bass.

Shane W. Cadman
Piece062411 => an interesting collection of sounds – metallic and organic.

Kenneth Palmer
Imagination => this sound slike the title. Really an excellent dreamy
realization!

Adam Kondor
BeginningOfTheEnd => would be quite excellent performed by a flute choir.

Steve Moshier
Glass Blizzard => commented already – some very classic electronic sounds

Joel Sutton
Escape by Train => suspense!

Jeff Fairbanks
hy => enjoyed!

Steve Moyes
Ducktrain => cool soundscape.

Peter Thörn
The Joy Of Travelling => Nice field recording!

Norbert Oldani
Passacaglia #1 => using the ring modulator (it sounds like) was an excellent idea! – enjoyed!

Bruce Hamilton, Jon Bash, Kramer Elwell, Austin Richey, Todd Smith, Jordan Watson
mind-melds improv excerpt => sounds very advant guarde – which is great in my book!
mind-melds excerpt 2 => much of the same but the opening sound slike it is occuring at a carnival.

Richard Sanderson
Pivothowl => hard to say what I think of this because it is so far off the
beaten path – but in a good way. Is that guitar feedback – or are you makng your water pipes sing?
Trickleglint => mad accordian?

Paul Muller
Simple Piece for Two Pianos and Two Cellos => I can’t remember if I commented on this already or not – I will say I really enjoyed it.
High Plains Soliloquy (Feat. Jim Goodin) => excellent drone.

Jim Goodin
Trains (Soliloquy for Steve Moyes) => Is this violin through a looper pedal? Very cool idea / sound.
Parellel Lines => nice middle eastern flavors

Benjamin Smith
Ben.improv.Jun.19.2011 => wow! this is excellent!! Drama, anger!
Ben.improv.Jun.20.2011 => very mysterious sounding.
Ben.improv.Jun.23.2011 => aggitated.

Kavin Allenson
Head West => this is really great! I love the very classic slide sound you
have here and the piece is very bluesy cool.
624Anum (feat. Chris Vaisvil) => thanks for adding me!
Slojourn => Nice combination of textures here. Is that violin over the guitar? Later on it sound like a ebow – I presume a looper composition.
IF624262010 (is this a unique piece or a part of soljourn?)

Roger “ErocNet” Sundström
Traveling String => very interesting collage
Finger Walking => obviously involves a steel string but I’m not sure what you are doing.
Forward => not sure if it is thunder or wind on a mic
Fetter Zither = This I quite enjoyed seeing how I also own a zither (which I assume you used)
summer cottage => I like this odd – prepared string instrument
The Giants Arduous Journey => really cool – I especially like the huge string sound.
Hy Slojourn (Feat. Jeff Duke & Jim Goodin, Jeff Fairbanks, Hussam Jefee, Kavin Allenson) => A nice journey!
Improvouting (Feat. Jérôme Poirier, Adam Kondor, Benjamin Smith) => spooky!
Galactic Trip (Feat. Steve Layton, J.C. Combs, Kenneth Palmer, Steve Moshier, Norbert Oldani) => my fav of the mashes.

And now my thoughts. Paul and I had some unforeseen crossover of tracks reviewed but naturally a mix of insights that hopefully will make for positive reads.

J.C. CombsInternal Excursion – thinking industrial and steam press, going through District 9 the first time and yet suddenly at Cannon Beach, wind and the waves late evening.

Chris VaisvilRoadie Demo – nice reflective melancholy excursion on new inspiration.

Roger SundstromHy Slojourn (Feat. Jeff Duke & Jim Goodin, Jeff Fairbanks, Hussam Jefee, Kavin Allenson) – Improvouting (Feat. Jérôme Poirier, Adam Kondor, Benjamin Smith) – Both wonderful evolving scapes like journeys through time, passages. Hy weaves from playful to solitary from circus to haunt. Improvouting grooves from lyrical exploring to wandering through an arcade near the boardwalk as a storm approaches. Great to have Adam return who is in this mash/mix.

Peter ThörnThe Joy of Traveling – The sense of being in Europe to an American who has never seen the continent, the sense of the travel the sense of confusion, the sense of commentary, all an interesting stretch of moment in the life aural snapshot of being in a traveling place and yikes our car might get towed! Nice environmental Peter.

Benjamin SmithBen.improv.Jun.23.2011 – pensive at first like dropping random yellow pigment on to the canvas as the pressure and intensity grow on the keys. Bartok grows to processed layerings of argeggiated lines and intense pounding clusters to maddening repetitive to stellar early morning quiet and the birds outside my window.

Chris VaisvilJust Zither Me – my fav of your mix, Chris. Organic, simple and letting the instrument carry you.

Roger “ErocNet” SundströmFinger Walking – Roger great texture, feeling of prepared not prepared. Evolves like traveling the fingerboard in an operative way, akin to tapping about looking under things, discovering sounds. Cool.

Kavin AllensonHead West – Kavin okay this one is on the money man, love it, you’re always on the money but this one is okay on the money. Resaonator or close, slippery slopes and the blues seeping out of the Mississippi or Rio Grande. Congrats on the ‘Best Guitarist’ category Kavin.

Norbert OldaniDense Forest Trip – Birds Chirp – (Mix of 3 tracks – all improvised using Reason) Dig the exploring Norbert. Wave forms from expansive to pointed droplets of rain. Nice expansive fat tones on the end. This is more vast in depth Norbert, nice piece.

Steve MoyesDucktrain – Inventive scape between the solitary reflective mournful zaphoon and the feeling of so many in a small space, traveling through memories, seeing Jude and Richard live on the stage finding the joy in the tragedy.

Paul MullerSimple Piece for Two Pianos and Two Cellos – Lovely and wonderful Paul. Haven’t heard you do thins in while though your new directions are great in ambient. Love the flav of this though.

Bruce Hamiltonmind-melds – improv excerpt featuring Bruce Hamilton, Jon Bash, Kramer Elwell, Austin Richey, Todd Smith and Jordan Watson. In preparation for a performance an alchemy of ideas emerge. Structure with freedom launches new vision. Reminds of Lee Noyes a bit Bruce. mind-melds excerpt 2 – A briefer statement from the same pre-performance session, ideas are jelling. Great mix of percussion and ice like tones like weaving through a clock shop, growing density in this. Like to hear the final on Sunday.

Ken PalmerImagination – Welcome back Ken! Man there is so much subtly in your work, particularly here. The clanging percussion like wind chime sounds floating over musicians wandering and settling in to an orchestra warming up. Spontaneous tuba sounds are the glue that binds in this.

Richard SandersonTrickleglint – Preparation of ideas, subtle tones and percussive hits as if playing a marimba with the hands. Your title reminds me of Robin Williamson for some reason.

Shane W. CadmanPiece062411 – Lots of mysterious color in this Shane. Impressive for junior high clarinet player(s), lovely color. I’m playing a bit these days after years of not, lots of great intrigue in the reedal tones as are rising here.

Hussam JefeeA State of Contemplation – Reflective blend of hand percussion, our and harmonic which drifts off nicely in the piece’s close. Hussam your our sound has a lovely authentic traditional indigenous sound.

Adam KondorBeginning of the End – Wow traveling in Thailand which I hope was wonderful Adam, I’ve often hoped to travel through South East Asia, but equally so we’ve missed you, great to have you back. Brings to mind Paul Hertz in these lines in your piece who we’ve not heard from in some time as well. Also feels delicate and takes on some of your ‘traveling’ influence from Thailand maybe. Welcome home and ‘home’ here in IF Adam.

Steve MoshierGlass Blizzard – Steve you have these cool sounds that you use throughout all the work I’ve heard you do, they are haunting and ghostlike, darting in and out in character, no less in Glass Blizzard and captures the sense of crystalline clear glass, as if sliding about in sock feet.

Joel SuttonEscape by Train – Traveling west as in looking for gold in another time. I hear the sound of geiger counters seeking signs of mineral deposits. Perhaps we are in a mine descending down perhaps we are on the moon, looking for lunar treasure. Nice feeling Joel.

Thai Electric by Adam Kondor

Thai Electric by Adam Kondor

Jeff Fairbankshy – Jeff you can’t write sad man, your pieces sound so darn happy and playful and that’s wonderful. Slightly novelty at times but joyfully with a big old smile as in this piece, sounds like we’re just off on a splendid adventure somewhere, full of all the good things. Cool beat and color.

Steve LaytonPlaying Monomaze – On leaving Florida perhaps. Nice explosive hits in this circled with sparkling synth cymbal like splashes indicating anticipating summer rains breaking the heat of west Texas. Maybe this piece has nothing to do with any of this but it’s cool and wishing you and the misses best in the new home of Dallas Steve.

Jerome Poririer#00CED1 – catchy title Jerome, dig it! Nice exploratory solo bass work, jacoesque clusters and tight twisted like notes at times. Would be cool to see you and Gerald take something like this and improvise off each other, would dig it. I like dig it.

Paul MullerHigh Plains Soliloquy – As the plains stretch across the heartland and the huge skies about so as a manipulated interpretation of my piece Trains (soliloquy for Steve Moyes) by Paul.

For Paul and I thanks for checking out this edition of WhatsNewAtImprovFriday with a rundown on the recent ImprovFriday music event. Remember to check out the ImprovFriday Radio Podcast series, member artist releases and all the goings-on on the ImprovFriday website where you can join us as either participating musician or listener. Special thanks to all the member artists who joined in the recent fundraiser to raise support for the upcoming year’s hosting services. Thanks to you we as a community have met the hosting fees for our ‘home’ for the next year, yey folks!

See you next time,

Jim & Paul

ImprovFriday Radio - Jim Goodin & Paul Muller

ImprovFriday Radio - Jim Goodin & Paul Muller

As the Pilgrims Approached Plymonth they saw… ImprovFriday of course.

Thanksgiving, Armistice Day, Canadian post Thanksgiving, a general long weekend possibly or just another day in the world and now days after the fact. With that in mind however the community of ImprovFriday artists held their November 25 – 27 open call for musical creativity event thread as they do every week. The events have become so much a ‘family’ that gathering on a day that celebrates family and thankfulness in the United States makes it all seem perfectly appropriate of an artful gathering on it’s own, in recognition and the spirit of music of all of us involved.

Little Rock - Jim Goodin

Little Rock - Jim Goodin

With this edition of WhatsNewAtImprovFriday I’m pleased to welcome the guest comments of fellow ImprovFriday member Andrew McCance of the UK. You’ll get to know a bit about Andrew as well as read his reviews of the November 25 – 27 event. Following Andrew’s reviews I [Jim Goodin] offer my own on selected pieces of each artist from the event. I should add that several photographs with this edition are from a recent trip I made back ‘home’ to Arkansas.

First with this edition however we’re going to hear from ImprovFriday/WhatsNew/ImprovFridayRadio colleague Paul Muller in a enlightening and reflective interview article he recently conducted with ImprovFriday member artist, Ken Palmer.

A Look At the Music of Ken Palmer as told by Paul Muller

In this article I will look at the music of one of our ImprovFriday contributors in-depth. This will be a chance to follow the work of Ken Palmer through the pieces he has posted on IF events over the past year. I hope to be able to do similar in-depth articles on other IF participants so we can know more about the artists who are part of our community each week.

Ken Palmer

Ken Palmer

Ken Palmer has been a regular contributor to ImprovFriday for a long time – all the way back to NetNewMusic days, in fact. Ken is a musician located in St. Louis, MO and has had a long career there. Ken graduated from the St. Louis Institute of Music and spent 3 years in Germany studying organ, playing with an orchestra and touring in Germany, Spain and France. Back home in St. Louis Ken joined a jazz quartet and has performed locally ever since, including appearances with the St. Louis Symphony and many other local musical organizations. Currently Ken is involved in a project to record ‘Black Mass’ by Alexander Scriabin and this means learning the music as well as editing and mixing the piece. This has proven to be quite a challenge and Ken has been working on it for the past year. Ken’s ImprovFriday page has more about his background and current projects.

With such a wide-ranging background Ken can fairly claim a variety of influences. When asked to identify his main musical style or form Ken wrote: ”I can’t really answer to a musical style or form – in all the things I’ve written be they piano pieces, songs or chamber music I’ve always approached writing simply by sitting down starting to write and then my mind’s ear leads me along.”

Ken and Milton Babbitt

Ken and Milton Babbitt

An example of Ken’s jazz piano influence can be heard in a piece titled ‘Easy Listening for Two Pianos’, posted on IF during the July 23, 2010 event. This piece is quietly elegant and even with two piano parts it has the clean lines and intimacy typical of the finer music played in a club atmosphere. You can hear how comfortable Ken is with this form and it is doubtless the result of many hours of performing with a small group. Here is a link to ‘Easy Listening for Two Pianos‘, perhaps among the most conventional of Ken’s IF offerings.

Another influence on Ken’s music comes from East India. An example of this is ‘Facing East‘, posted on the June 11, 2010 ImprovFriday event. The sound here is quite different from the jazz-influenced works – full of exotic rhythms, a darting flute line and a syncopated bass drum. The bass drum booms while the flute zigs and zags, giving a definite overall Asian feel.

Another rhythmic piece along these lines is ‘Greetings From Ghana‘. In this piece there is complex drumming accompanied by a chorus that weaves a series of vocal lines around the changing rhythms. ‘Greetings From Ghana‘ was posted on the IF October 22, 2010 event.

The exotic element and more conventional forces are combined in ‘Chillin Out‘, a piece Ken posted on IF during the August 20, 2010 event. In this piece a solo woodwind takes a sort of winding, futuristic line while the rhythm and percussion sections are more regular. The piano moves in and out of the foreground and provides a counterpoint to the solo, shifting in and out of the exotic. This piece illustrates both the jazz and Asian influences operating together to produce an intriguing sound.

The jazz and Asian influences on Ken’s music are quite strong and so many of us were pleasantly surprised when some of his pieces began to reflect the more experimental works that are typical of an ImprovFriday event. The mix and mash are staples of an IF event and often these involve ambient field recordings as well as all sorts of other sounds. For the August 6, 2010 event Ken posted a piece titled ‘Simultaneity‘ that included a piano, night sounds of the forest and what can only be described as an otherworldly arpeggio. The piano provides a psychological anchor while the crickets and spaceship sounds envelop the listener in a sort of mysterious darkness. It is a very effective use of all the disparate elements to create a feeling of apprehension – like walking in the woods at night. You can hear ‘Simultaneity‘ here and I think it is something of a breakthrough for Ken in that it combines the traditional language of the piano with other sounds.

All of us at ImprovFriday have an appreciation of the work of Jukka-Pekka Kervinen and it is hard to think of an artist who is further afield from Ken’s traditional influences. Jukka-Pekka’s pieces are typically created from video game consoles and have a very strong electronic feel. And yet this work has been very influential at IF. In a piece titled ‘Stuck in a Box‘ posted during the September 17, 2010 IF event, Ken produced a piece that is just as electronic as any one of Jukka-Pekka’s game-boy creations. There are no standard musical instruments – save for a low sounding clarinet – and the piece is filled with the beeps and squeaks of electronic tones that fly about as small clouds of sound in a ghostly, empty space. It is as if we are in a different world where the conversations are held between the bits and bytes of electronic signals. Perhaps Ken intended to make a comment here, but the piece does show the effective use of electronic sounds to create a unique atmosphere. You can hear ‘Stuck in a Box‘ here.

The last piece that we will listen to is ‘Life in America‘ posted during the September 24, 2010 ImprovFriday event. In this piece Ken has followed the work of such participants as Adam Kondor and J.C. Combs by combining electronic sounds, field recordings and broadcast segments to create a commentary, in this case on life in America today. We can hear bird calls, rock and roll, a sort of broadcast announcement and electronic beeps and blips that crescendo into a great confusion of sounds. It seems like we’ve come a long way from ‘Easy Listening for Two Pianos’! ‘Life in America‘ can be heard here.

When asked why Ken participates in ImprovFriday he wrote: “It affords me a venue for sharing my creativity which heretofore was unavailable to me – cloistered living is fine for monks, and I want my music to be heard and appreciated.” I think we can all agree on that, and I would add that the chance to collaborate and be influenced by others is another big plus for being a part of ImprovFriday. Just as the music of Ken Palmer illustrates.

Learn more about the music of Ken Palmer at http://www.kenpalmer.net
.

Very special thanks to Paul for that great look in to the music and world of ImprovFriday’s Ken Palmer.

Introducing Andrew McCance

Mentioned above, joining us for this edition of WhatsNewAtImprovFriday, is guest reviewer Andrew McCance who provided commentary for the work done by the ImprovFriday event participating artists for the November 25 – 27 event. First though as with all of the ImprovFriday member artists, Andrew brings such a rich tapestry in himself to the IF community that I want you to get to know a bit about him.

Andrew McCance, a.k.a. AndyMc… lives in Portsmouth on the South Coast of England, just north of the Isle Of Wight. He started music when he was around 10 after his dad brought him an old air organ. Andrew says he played this now and then followed by soon getting an early computer, a ZX81 which led to some early programming interests. Soon followed a series of machines, the ZX Spectrum, then C64, MSX then AMIGA, which all led to more and more interest in making music and graphics.

Teenage years came and Andrew started doing live improv’s at house parties and quiet pubs. He had the chance then to go into bigger things but wasn’t overly impressed with the lifestyle that would also include so he became a dad instead.

For a while Andrew remained steady in mod music, using an Amiga and it’s 8-bit sampler, all the while immersing more into programming and only playing music for fun. After several years he moved to the PC and eventually working in Cubase. Along with other things this eventually led to joining ImprovFriday.

Andrew McCance Self Portrait

Andrew McCance Self Portrait

Andrew says he has always been interested in ambient, sound processing and retro analog synths going back even before his Amiga days but never fully pursued it. Since joining ImprovFriday he’s found he has found the inspiration to open that ‘envelope’ again releasing those early interests and energies into new work.

When asked to describe how he works in creating his music these days Andrew first suggested an analogy with food from the standpoint of going below the surface as in getting into the fundamental content of fine foods. He likes to start with an idea then make as much of it as he can, for example his track Blue World which had a foundation in a public domain whale sound surrounded by sounds that were manipulations of that core sound that developed to becoming his ‘own’. Blue World started from a lake photo posted on an IF event that inspired Andrew’s imagination to visualize himself diving below the water’s surface and discovering the aqua world below leading to his orca fused composition.

And now here are Andrew’s review thoughts about the work produced by the ImprovFriday member artists during the event thread, November 25 – 27.

Peter Thorn
Winter – You have captured such a crisp sound there Pete and you’ve kept it from cluttering on a loop. – Andrew.

Adam Kondor
My Fathers Voice – This is great Adam, I really enjoyed this and this is something you can truly treasure for ever. – Andrew.

Shane Cadman
Piece 112610 – This deserved a name imo. 🙂 – AM.

Ken Ficara
Waning Gibbous – When I first heard this I thought oh this isn’t experimental but as it flows through to the end you hear why it is. – Andrew.

Kavin Allenson
Vortex/Jumbie – This was simplistic but to great effect, I’d only say that the talking of reverb and making of the track pulled me back out of the place I went when listening. – Andrew.

Paul Hertz
A Pumpkin of Pies – The organ on this Paul is great, I felt like I was at the back of the church listening to you recite, is it vst? – Andrew.

Richard Sanderson
– I think the way you got things sounding in reverse that actually were not in reverse is excellent, it seems so good it is hard to explain to people it’s not actually in reverse. 🙂 I know you said it doesn’t sound forward when you reverse the track but I still think you should reverse the track and call it Forward. Tracks with a meaning, like an abstract of something always hear back better over time. – Andrew.

Kenneth Palmer
Happy Holidays – This is great Ken, and great playing too. An average listener maybe won’t realise the effort that goes into being able to play like that, but for us musicians it maybe more appreciated. – Andrew.

Lee Noyes
Notr**ever***sedes_revert+oN (feat. Richard Sanderson & Lee Noyes), this is great Lee. – Andrew.

AndyMc
IF Winter – I’m mentioning one of my tracks as I like it as much as the others here but I think I was a bit low on the volume on it. – Andrew.

Norbert Oldani
Three Rivers, I loved this Norbert, it’s great. – Andrew.

Steve Moyes
Legs and also Winter – Both these are great, it was the white noise in his Winter track that inspired me to put wind on my Winter track. – Andrew.

J.C. Combs
Play Before Juno and Play After Janus – I love that first one, works really well, then the second works great too and ya feel like you was really feeling it when you made it. This normally shows when you hear the patience someone had in their piece, with out it it can sound rushed and wrong. These two were up there amongst my most favourites of this week. – Andrew.

Chimes - Jim Goodin

Chimes - Jim Goodin

Jim Goodin and Steve Moyes
Heard Through Walls and Throats and A Martian Looks at Earth, I really liked these three tracks guys. – Andrew.

Jukka-Pekka Kervinen
ym-glitch #1 – Once Jukka I had a Roland RA50, when using a PG1000 into it via midi it achieved a similar sound, I would sit for hours just making this type of sound, this track of yours takes me right back. – Andrew.

Jim Goodin
In the Context of Ice Crystals – The picking really does give it a feeling of ice pinging or snapping of some kind, but I get the from the picking an idea of ice, not sure if that was the aim but that’s how I feel it. – Andrew.

Long Road Out - Jim Goodin

Long Road Out - Jim Goodin

Roger “ErocNet” Sundström
Winter and Morning Song and Happy Man (feat. Steve Layton,Bruce Hamilton) and Low Duct (feat. Jérôme Poirier) – I love ya Winter abstract Roger and also the Morning Song, the Happy Man is great, is it a mash or mix and is there any of your stuff in there? Also you are twice in the list, i had to come back to this to add Low Duct. 🙂 – Andrew.

Benjamin Smith
Ben.improv.Nov.22.2010 – When I started listening Ben I first worried they were a bit forced this week, but then I got to this one and relaxed right into it. – Andrew.

Bruce Hamilton
Gerts and Phanto – Gerts is a lovely piano piece Bruce and Phanto, yet short is great, sharp and to the point. – Andrew.

Paul Muller
Scale 6 – Paul this is great m8, I love this, it reminds me a bit of Blade Runner Theme music, which is some of my all time favourite, I don’t listen to music often so some pieces stand out for me above the rest, this is one of them. – Andrew.

Steve Layton
Somersault Drums – I liked this Steve when I heard it for the first time on Facebook, it’s also sounds great in your Down the Wires Mash. – Andrew.

Chris Vaisvil
Choir and Strings Improv. and Solo Piano Improv. and Sitar Improv. and Father’s voice on a Relativistic Train (feat. Jim Goodin, Steve Moyes, Adam Kondor, AndyMc, Shane Cadman, Jukka-Pekka Kervinen) – Chris with out sounding wrong, when I listen to your works it reminds me of me, and I feel very comfortable and at home listening to your works. Sorry for the renaming here, the titles were a little long on the posts so I shorted to best I could. – Andrew.

Wow Andy, really personal and immediate thoughts on all the wonderful work created over the ImprovFriday event thread of ‘thanks’, November 25 – 27. Thanks so much for contributing to WhatsNewAtImprovFriday this edition as well as introducing yourself to us.

And now for a few thoughts of my own about some of the work from the same weekend.

The Split - Jim Goodin

The Split - Jim Goodin

Peter Thörn
Winter – Takes me back to my years in college with a then worn 1968 Volvo 144 sedan that I had, much irony here that I would own a Swedish automobile and later to have several connections with Sweden in my years that have evolved. The cold winter cranking away as the coils resist igniting, was like that in January in Arkansas Peter and there is much rhythm here in your ‘found’ experience. – Jim.

Adam Kondor
My Father’s Voice – Loved this Adam as partly it made me wish I had a recording of my dad’s voice as I gather this to you or somebodies. I have pictures and I think some video somewhere but the idea of preserving a voice for your offspring is something well thankfully for the net I have done. That said thoughtful editing as always in your pieces with some sounds of winding spring like tones as the dialog moves on, perhaps echoing an aging clock winding down. – Jim.

My Dad's Grave - Jim Goodin
My Dad’s Grave – Jim Goodin

Shane Cadman
Piece 112610 – Lovely piano in a Winston style Shane led in by a gathering of sorts, voices in a room, fades to the stellar tones, suspended, reflecting and we give thanks. – Jim.

Ken Ficara
Waning Gibbous – Wow ‘Little old band…’ ringing a bit here and welcome first time participant or possible returning Mr. Ken Ficara. Feels like a street band here and nice crunch in the guitars. Also hearing Bo Diddley in this one at times. Nice fun piece to balance the darker this week. Great development as multiple guitars converge. – Jim.

Kavin Allenson
Vortex/Jumbie – The wind and tapping, a rattle on a bottle, somewhere in the West a hundred fifty years ago. A rattler passes by in the dry dust of south Texas and suddenly it feels we’re in a large hall, preparing for a religious setting or order, it is indeed a ‘vortex’. – Jim.

Paul Hertz
A Pumpkin of Pies – Nice organ tones for the holiday Paul with a sense of a processional entrance for an observance yet offers the color of a movie reel at times in it’s periods of resolve. Your middles tones have a nice airy buzzy sound to them that makes me wonder if this is a physical or digital sampled that you play each week. Nice esculating arpeggio near end as if running up the stairs, for more pumpkin pie of course. – Jim.

Richard Sanderson
No Reverse – Richard welcome, I think this thread was your first but forgive if you were at IF sooner. Great to have you regardless. I hear Bob Fripp and feel elements of his wonderful beginning in ‘Let the Power Fall’, going on as your piece begins. Fundamental hertz going on here in terms of tonal cycles all exploring the reverse envelope, a favorite place of mine to be. – Jim.

Kenneth Palmer
Interlude – Synth or angelic voices leading in with distant kettle or snare drums all giving focus to a cool plucked kalimba or African string harp growing largely intricate as it develops. The voice patch continues to underscore. – Jim.

Lee Noyes
Opa Cupa: Suspended Mouth and Tongue Pattern – The space of the vast lower hemisphere landscape as stellar and the sound of silence in between the well placed tones of Mr. Noyes. Lee this piece and many of your wonderful scapes feel as if you are in a room wondering around finding sound elements and the things that produce them that you’ve never known before and you just happen to pick them up, pluck them, hit them, all at just the well placed time. This one no less. Also feels at times like you are and Kavin are on the same stretch of the old West a hundred fifty years gone by. – Jim.

Overlook - Jim Goodin

Overlook - Jim Goodin

Andrew McCance
IF – Sore Thumb – The sound of ‘well placed piano’ Andrew, lovely and intricate as if peering through curtains, looking towards the Isle of Wight. One of the beautiful things that happens on IF is by chance, by subconsciousness, by shared muse we each can strangely find each other in the pieces we produce. You have found Shane in this one and he you. – Jim.

Norbert Oldani
Piano impro. Fantasy – Lovely Norbert. Sure it echoes George Winston at times who I happened to really dig when his sparse melodic sound first appeared. Your sense of harmony gives more sophistication and this piece has a great melodic haunt to it sounding at times with color of pieces like Dancing in the Dark but returning to the more New Age alt-classical new music color typing our times. – Jim.

Steve Moyes
Legs – Wonderful distortion color all through this one. As I’ve come to know I think this is all manipulated cello which Mr Moyes does so well. This one feels like a walk through the forest at twilight, owls, birds and mystery encircles. – Jim.

J.C. Combs
Play after Janus – Drones as if planes over head flying through deserted lands in search of or feels terestrial as the piece moves through with sounds of rubbed metal. Perhaps all processed and stretched piano tones and well crafted as Professor Combs usual. – Jim.

Jim Goodin and Steve Moyes
Grapes of Wrath
– Rule of thumb in this blog is Paul and I don’t review ourselves or each other unless we are in a mash. The recent duo setting with fellow IF’er Steve [Moyes] is within reach re the rules. This was a near end section in our recent NinJam, a session of cello and violin improvisations. This section felt a mix of old world trudging as if fleeing Nazi Germany in WWII or more to my heritage of my Mom’s people leaving rural Oklahoma. The wind blows changes at the end. – Jim.

Jukka-Pekka Kervinen
Cruyingonds – Wow Jukka. From the man who came to us through the arcade, the GameBoy, the 8-bit, the graphic scores and now another surprise. Guitar echoing Bill Frisell, Jeff Baxter and probably Henry Kaiser at times as it dances about a flute voice almost if playing cat-mouse in the fields of northern Finland. – Jim.

Roger “ErocNet” Sundström
Song 101125 Nyckelharpa or hammered dulcimer or who knows in this one. Sounds are plucked and wound with really nice melodic color developing about 2/3rd’s the way through. – Jim.

Benjamin Smith
Ben.improv.Nov.22.2010 – Pensive Rhodes notes set the stage in Ben’s pre-Thanksgiving improvisation with lower tones emerging sounding like chardes of earth breaking away. The subtle intensity grows reaching a rhythmic near end conclusion of the sound of many hands trading brittle clusters as they wind down to a simple nicely muted ending. – Jim.

Bruce Hamilton
Plaque Friday – A trap kit exploring with really cool deep kettle. Feels like a ‘DeJohnette’ played feel at times and real drums but got a feeling this is all sequenced or ‘played’ drum samples which says a lot Bruce as it sounds nice and real sir. – Jim.

Paul Muller
Ben’s Winter (feat. Roger Sundstrom and Ben Smith) –
Man the sun sets all over the world or in Paul’s case it’s rising I think in the early morn of southern California but here in the east Ben’s acoustic tones are like the light gently dancing across the towering Manhattan skyline and pensive New Jersey fields and yet 6,000 miles away Roger creates in brief daylight of the Swedish winter skies, all wonderfully mashed Paul, keep exploring this journey my friend. – Jim.

Steve Layton
Songs of the South in the North (feat. Peter Thörn, Norbert Oldani, Roger Sundström, Jim Goodin, Andrew McCance, Kavin Allenson) – Cold winter there with the engine grind but warms up nicely in this mix weaving from the green land of Scandinavia to the hills of rural Virginia, colored by sophisticated piano notes flying loosely through the canvas of English descent to New England. As the engine intensifies ‘Leon Redbonish’ tones emerge from the southern region along with tribal percussive energy from across the seas again. A ‘World’ adventure in this mash. – Jim

Roger “ErocNet” Sundström
Morning Song 101127 – Really great colours Roger. Love the density in your enveloping almost baritone like guitar here, maybe detuned a bit. Lot’s of depth and space throughout this one. Thinking both Ry and Bill on this one as you often ring. – Jim.

Chris Vaisvil
Willows improvisation on a theme for solo GR-20 guitar synthesizer … – With tonal drift between the frets at times, the southern churchy sound in the trees is as eloquent as a Faulkner read on this ‘blue-tuning’ guitar snyth spin by Chris. Lots of interesting color here and in all his pieces for the day of thanks. – Jim.

It was an excellent weekend, much creativity and just frigging ‘heart’. If you just stumbled upon this blog and have journeyed this far, come see us and join us, the creativity and thought abounds on ImprovFriday.

And it wouldn’t be a WhatsNew blog edition without leaving you with the solo pieces Paul and I created for the weekend. Though we don’t as a rule provide our responsive thoughts here are our responsive tones.

Paul Muller
Scale 6

ImprovFriday Radio

ImprovFriday Radio

Jim Goodin
Happy Thanksgiving Improv on Kitchen Girl
In the Context of Ice Crystals

In closing let me mention our ImprovFriday Radio podcast series which is easily found at http://improvfridayradio.podomatic.com as well as in iTunes by searching, ImprovFriday Radio. Each month Paul and I take turns hosting. This month the present episode up is the feature interview I conducted with ImprovFriday member artist Steve Moyes. In the hour plus Steve talks about his work with the cello, looping, his involvement in the ‘Gathering’, thoughts about music and all the colours in his worlds. Check it out at ImprovFridayRadio.Podomatic.com.

And please visit our ImprovFriday website on the Ning network to discover more about our community of creative musical artists. We are located at http://improvfriday.ning.com. Till next time, keep your ears and hearts open and happy holidays this season…

Jim and Paul

ImprovFriday Radio - Jim Goodin & Paul Muller

ImprovFriday Radio - Jim Goodin & Paul Muller

 

A Single Chord, a Bringer of Light, Omen and Der Leiermann (psst… It's ImprovFriday).

Well I know September 16 seems like a long time ago now but it’s been a long week plus, however neither long hours or other distractions will deter the publishing of WhatsNewAtImProvFriday!

So here we are Paul Muller and myself (Jim Goodin), back with a review of the fabulous mind bending experimental New Music musical tones and environmental soundscapes created by the ImprovFriday member artists the weekend of September 16 – 18. Lots of good stuff so without further rambling, roll the film as they say… well one more thing this week I’m adding several images created by Kavin Allenson, James Ross, David John Baer McNicholas, Michael Mjollnir, Adam Kondor, Paul and myself. Now on with WhatsNew.

Journey by Michael Mjollnir

Journey by Michael Mjollnir

Michael Mjollnir

Lightbringer – Featuring Paul Muller, Shane Cadman, and Roger “Erocnet” Sundstrom and Michael Mjollnir (contributing artist/mixer/masher) – Cool growing vibe in this mash that reminds me of early U2 of all things at times. The organ patch weaves strongly throughout. Glad you are getting quite at ‘home’ here Michael. – Jim. Strong, steady opening beat – good colors layered above the rhythmic foundation. The pipe organ sneaks up into the texture and makes a nice counterpoint to the bass. At 3:00 we get a lightening of the upper layers. Well crafted. – Paul.

Bore #4 – Featuring Jim Goodin, Roger Sundstrom, Steve Moyes and Michael Mjollnir (contributing artist/mixer/masher) – As Michael was kind enough to work me into the center of this piece I shouldn’t comment too much other than to say there’s some really cool sounds circling around from Roger and Steve and Michael. Has a great urban sense to me and a feeling many cultures in kind of a LA scene (whatttt!… well lots of color here for sure). – Jim.

Tom Izzo
Amber In Red – Really pretty Tom and I think I should say welcome, you are new no? Or perhaps returning to IF. Regardless this reminds me of a feeling of Tim Story’s wonderful early pieces on Windham Hill that were ‘Windham Hill’ but filled with mystery. Really lovely colors, ambers, reds…. – Jim. Solitary piano notes against a beautiful ambient background. Quiet reflective mood, almost somber. Good balance between the parts – nice mixing! Good to have Tom back with us. – Paul.

Jeff Duke
Wind – Very much like some wind chimes I fall in love with at a pottery store in ‘downeast’ Maine. Lovely ‘un-guitar’ Jeff. – Jim. Lovely guitar playing against a lush, warm background. Jeff has been listening to James Ross! Phasing effect at 3:00 is very effective. This one is working in all registers – a really beautiful piece. – Paul.

Water – I think the most amazing thing about Jeff’s music and this piece speaks of it is that though it sounds synthetic it’s all guitar driven and to my knowledge it’s pedals, loops and not a ‘synth on it’ meaning all organic. This piece as said no less. As the title suggests, ‘Water’. Like a pool where drops have fallen and are dispersing out in circular ripples to the shore. – Jim.

Kenneth Palmer
Stuck In A Box – Kenneth on the contrary you have gotten ‘out’ of the box in this piece. Very different vibe and textures which is not to min the lovely piano/orchestration pieces you’ve been crafting at IF but this is a nice departure. Neat mystery in this piece. Keep exploring it. – Jim. Interesting orchestration – a sort of Jukka-Pekka meets Adam. Beautiful low clarinet throughout. A series of fast electronic sounds play against the quiet, restful background – nice contrast in textures there. Ken is absorbing some of the IF styles! – Paul.

James Ross - Live at Goodbye Blue Monday by Jim Goodin

James Ross - Live at Goodbye Blue Monday by Jim Goodin

James Ross
Flock – Birds flying south and angels welcoming. We could be a floating bottle with a note about all the things my father once said he wanted to tell me one day and never did. This one really hangs. Visions of Jeff Duke in this one but as I get to know your music and sense of sound more James clearly you. – Jim. Another beautiful effort by James. The wavy texture suits the title well. Has a sort of felling of regret to it – like the slipping away of summer. – Paul.

Kopi by James Ross

Farewell Old Friend - Kopi by James Ross

Jérôme Poirier
Eyebrows – Featuring Shane W. Cadman, Bruce Hamilton and Jérôme Poirier(contributing artist/mixer/masher) – Great combination of pieces – some good pitch bending here. A fine mix. – Paul.

Enthalpy of Sublimation – Featuring Kavin Allenson, Steve Layton and Jérôme Poirier(contributing artist/mixer/masher) – Interesting color and in dissonance in horn orchestration with electronica and percussive sounds scurrying about like bees. – Jim.

Paul Hertz
Surrounders – Deep bustling sounds with an interesting phasing effect. Builds a sense of expectation. The lower pedal tones produce a distinctive sounding chord. – Paul.

Surrounders (feat. Steve Layton, remix) – Acquires a stronger, more assertive feel via amplification. The lower tones are helpfully more audible. A dramatic feel at 2:30. An increase in intensity makes this the definitive version and very likable. – Paul.

Norbert Oldani
Workers Repairing a Driveway– Environmental capturing from the car port. Imagining something on the list to get done now for years and finally getting to bring in a crew. – Jim. The low humming is suggestive of heavy equipment – maybe a backhoe repairing a driveway? – Paul.

Lake Pleasant in the Adirondacks – Sound in nature, just about paradise on this one I suspect, feeling of the title, fall by the lake in the Northeastern mountain range. Wondering if we are in a boat or by the bank and suspect the latter as just heard a car pass by. Birds fly by, peaceful, serenity up there in them hills… – Jim.

Space Drone Mash 1 – Wide variety of textures here – a high-pitched buzzing combined with lower groaning sounds. Like the woods at night with hyperactive insects. – Paul. Bees… well gives that feeling, we’re at the center of the hive, where is the queen, where is the queen… – Jim.

Space Drone Mash 2 – Noise floor star date 2012, Captain’s log March 1st… ambiance of a pre-launch, days of NASA, days of the space race or are we in flight, are we in the galaxy of Alexis 42. Fluid and adrift. – Jim.

Peter Thörn
Early Morning – Solemn notes rise up in the early morning – very evocative. – Paul.

Bjuhrströms Obsession – Some neighborly Swedish being spoken – a musical language. Now the blower – don’t we all have neighbors like that! – Paul.

Omen – Stellar quiet and contemplative. Beautiful acoustic spacial tones echoing heart, echoing time, echoing Sweden… calling. – Jim.

Purple Clover Sun by David John Baer McNicholas

Purple Clover Sun by David John Baer McNicholas

David John Baer McNicholas
New Splice – Some frightening opening lyrics followed by some strong strumming. Very nice picking at 2:00. – Paul.

Dick Soakin – Love this and the opening establishing of the ‘tuning’. The sense of ‘tonality’ and ‘non-tonality’ and the percussive strumming bent and later the linear picking-strumming. Good energy throughout. – Jim.

Memory of a Love that Makes Me Jealous – Continued acoustic strumming somewhere between depth of John Fahey and David Baer land. – Jim.

CHOMSKIING REAGANOMIC MOGULS – Acoustic guitar linear picking while watching TV, C-Span perhaps, perhaps a speech, life and mixed media. – Jim.

Wild Florida Lizard by David John Baer McNicholas

Wild Florida Lizard by David John Baer McNicholas

Steve Moyes
Wooly Something – Featuring David Perreko and Steve Moyes (contributing artist/mixer/masher) – A clatter of machinery sounds as if it is accompanied by percussion – very impressive combination. We must be in the Wool Museum. The clanging of the tank produces some cool overtones and echoes. Must be the watermill sounds at about 4:00 – very liquidy. – Paul. Much like a printing press then goes kind of Asian tonality and then well David followed by the rhythm of the industrial age and the whir of motors working. Can’t help think of influence from Roger here. – Jim.

Chris Vaisvil
Put the Pump In – Filler up! Ambiance of things here from gas station to machine room to backdrop to a store or casino. Many images… – Jim. The sounds of happy workers – steam cleaning? A problem with the pump? At the cash register… money changes hands. – Paul.

Three Pounds of Heart Attack – Sounds like red meat Chris and a visit to the butcher. All you can eat! – Jim.

PIN Pad – Wow I’ve been there so many times. Auto-checkout at Key Food! The rich part is this one seems to work, how lucky you are. – Jim.

HemiFamity27 Improvisation – more introspective piano much like drilling into the rock, seeing what’s behind the years of slate and hardened clay. Nice color in the linear lines and occasional chordal dissonance. – Jim.

The Public Humiliation of Bacon – Well… sounds like field recordings, still at the grocery or butcher and inspired Wagnerian synth sounds in the area. – Jim.

A Gun to My Balls – Well something is in pain here amongst the growing pulsing foundation, sounds like a big bear but human early on. Could be a chainsaw at work but I think it’s a bear perhaps from his winter nap. Okay I’m digressing. Floating through are growing electronica sounds, all quieting down to a subtle wash. – Jim.

My Crazy Aunt Sophie – Striking the balance between I gather the slightly clumsy spirit of years of social piano and brilliance reminding me of the French modernist composer often thought to be of modern serious crossing to ‘jazz’, escapes me but much spirit in this piece Chris. – Jim.

Desktop Energy Seed Lamp -  Alan Parekh

Desktop Energy Seed Lamp - Alan Parekh

J.C. Combs
Obsessed – Opening acoustic piano notes evolving to distortion series I absolutely love seeking to wind chimes and lovely ambient wash. – Jim. Beautiful echoes and overdriven piano. Simple melody, hidden in the distortion. A fine sense of tension at 1:45… – Paul.

Jeff Fairbanks
UO – Featuring Peter Thörn, Jukka-Pekka Kervinen, Lee Noyes and Jeff Fairbanks (contributing artist/mixer/masher) – Lovely ambient background sounds underneath a strong accordion melody. Good combination of pieces. – Paul. Particularly like the acoustic part in this, tambura like, very pure. – Jim.

Took – Featuring Bruce Hamilton and Jeff Fairbanks (contributing artist/mixer/masher) – Playful and slightly dark kind of Cirque du Soleil like. – Jim.

Paul Muller visits Adam Kondor in Heidleberg

Paul Muller visits Adam Kondor in Heidleberg

Paul Muller
Womtook Pulse – Featuring Steve Layton, Bruce Hamilton and Paul Muller (contributing artist/mixer/masher) – Nice venture into mashing Paul. Like the wah wahish flanging going on around the keyboard color and the morphing in the keyboard. Good one Paul. – Jim.

Shane W. Cadman
Piece091610 – Quiet piano notes with echo produces a sense of restfulness and serenity. Beautiful. – Paul. Shane you continue to evolve as you should. Tremendous space in the tones with much patience on the decay. You and Peter both this week delivering lovely time at the keys. – Jim.

Piece091610_Reverse – Excellent! My favorite thing to do. Nothing like the sound of the reverse envelope and this one no less. – Jim.

Bruce Hamilton
Womtook – FM piano/mallet instrument/muted steel drum melody weaves about as if exploring a Japenese garden. – Jim.

Skoopt – Featuring Norbert Oldani, Roger Sundström and Bruce Hamilton (contributing artist/mixer/masher) – Cool beat and ghostly ambiance, riding the dark side, could be east could be west, but it’s skoopt! – Jim.

Gradus Augdemented – Featuring Adam Kondor, Lee Noyes and Bruce Hamilton(contributing artist/mixer/masher) – Like the drums in this, very kicking. Pulsing Jukka influence surrounds. Nice production. – Jim.

Camk – Strong guitar and some echo produce a bright sound. – Paul. Guitar or keyboard patch? Manipulated and to me micro-tonal. Nice mystery exploring going on. – Jim.

Mr. Bailey, Mr. Layton and Mr. Muller, 3 amigos

Mr. Bailey, Mr. Layton and Mr. Muller, 3 amigos

Steve Layton
Quiet Pulses – So this is where the wah wah keys came from in Paul’s mash. It’s neat to listen to the parts after hearing the combined when you I don’t necessarily know who did what. This sounds like some of your LA trip last month influenced you in this piece Steve, has that ‘Law & Order’ feel. Sense of beat in the flange is cool. – Jim.

Two Fields – Featuring Norbert Oldani, Roger Sundström, Shane Cadman and Steve Layton (contributing artist/mixer/masher) – Quiet Pulses continues as a subtle underscore to the ‘white’ noise and chime like color of this piece. Very silvery in color. – Jim.

Determined – Featuring Paul Muller, Kavin Allenson, Roger Sundström, Lee Noyes and Steve Layton (contributing artist/mixer/masher) – Great mash! Love the opening organ of Paul Hertz who has been a recurring voice this weekend. As this one grows it’s like the anthem for our time in a way, really great. Ends with nice western motif acoustic tones. – Jim.

Jacob’s Ladder – Featuring Adam Kondor, Peter Thörn, Jeff Fairbanks & etc, Michael Mjollnir & etc, Bruce Hamilton, Jukka-Pekka Kervinen and Steve Layton (contributing artist/mixer/masher) – Nice tembre’s between the acoustic tones from Jeff and the percussive and electronica with this one. This one really grows nice, thinking of Mark Isham in the color. – Jim.

Skip a Beat – Featuring David John Baer McNicholas, Benjamin Smith, Steve Moyes & David Perreko, Lee Noyes and Steve Layton (contributing artist/mixer/masher) – Tone scape woven together by walking line organ and earthen acoustic tones with metallic feel. – Jim.

Gray Skies – Featuring Chris Vaisvil, Norbert Oldani, Ken Palmer, Peter Thörn and Steve Layton (contributing artist/mixer/masher) – Peter’s neighbor voice comes in at a really cool time in this mash. The exploring of the piano lines and the environmental quite effective. Nice color in the electronica and insect like sounds floating about. – Jim.

Vista – Featuring Jeff Duke, Roger Sundström, Jukka-Pekka Kervinen x 2, Tom Izzo and Steve Layton (contributing artist/mixer/masher) – The secret life of plants and not to take from Stevie but that’s what this track is saying to me. Seeing things growing, creeping up as if blades from the soil. – Jim.

Zero Hour – Featuring Jim Goodin, Shane Cadman, Lee Noyes and Steve Layton (contributing artist/mixer/masher) – Jim’s strumming gives a sense of countdown as the other voices join in intermittently. Elegant ending. – Paul. Thanks for including me Steve. Love Shane’s reverse against Lee and mine’s acoustic textures and the ending of this one. – Jim.

Brooklyn, 9th Street by Jim Goodin

Brooklyn, 9th Street by Jim Goodin

Jukka-Pekka Kervinen
Impro 09/16/10-#1 – Featuring Lee Noyes and Jukka-Pekka Kervinen (contributing artist/mixer/masher) – A more full-bodied sound from Jukka-Pekka this week. Something heavy and industrial is going on here. Builds a sense of menace from intimidating sounds. – Paul. Highways, tires roaring on the pavement, a tunnel, caverns, something industrial. Nice thickness in this one altogether Jukka. – Jim.

Few Aware – Wow! Some of your best ‘colour’ yet Jukka. This seems a departure or evolving or just exploring. Nice fluid slow motion, maybe even half speed. Very rich and nice surprise. – Jim.

Either Rite – A mix of worlds in this one from your palettes, some pulses and beeps and some as above, liquidity. Like the more tubular sounds. – Jim.

Greetings by Adam Kondor

Greetings by Adam Kondor

Adam Kondor
Highway Mirages – Featuring Charles A. Turner, Roger “ErocNet” Sundström, Jeff Fairbanks, Paul Hertz, James Ross, Michael Mjollnir, Jukka-Pekka Kervinen2x and Adam Kondor (contributing artist/mixer/masher) – Two times running errands and listening to the thread pieces, when this one came on and I heard the ‘coin drop’ effect I turned to see what I had dropped! Very real. Like this a lot, wonderful ambiance in the mash and the lyrical guitar lead mid way is quite moving. – Jim.

Droplets – In Memoriam Caterina Boratto – Featuring Norbert Oldani, Bruce Hamilton, Lee Noyes and Adam Kondor (contributing artist/mixer/masher) – Wading, moving through early morning waters, near the canals in Venice. Sounds from the window, chimes and near by musical tones float through the air. Over 50 films, quite a life… – Jim.

En Route – Featuring Peter Thörn, Lee Noyes and Adam Kondor (contributing artist/mixer/masher) – As if a painting, fluid fretless guitar lines. Dissonance and purity in the spaces as if oil colours thick with tone. Lovely interplay in the acoustic strings from the northern and southern hemispheres. Interesting soundbites interspersed. – Jim.

Gradus Ad Parnassum – Based on a Chord by Lee Noyes – Fine use of Lee’s chord through repetition. A sense of unfinished business here. – Paul. Neat evolution of ‘the lost chord’. – Jim.

Some Dadas for Peter – Featuring Benjamin Smith, Adam Kondor, Jean Arp, Jukka-Pekka Kervinen and Adam Kondor (contributing artist/mixer/masher) – Continued evolution of ‘the lost chord’ with electric keys and tones rising. Voices of the dadaism – “a nihilistic art movement (especially in painting) that flourished in Europe early in the 20th century; based on irrationality and negation of the accepted laws of beauty.” – Jim.

Lions In the City – Featuring JC Combs, Tom Izzo, Benjamin Smith, James Ross, Shane Cadman, Ken Palmer, Jukka-Pekka Kervinen, Bruce Hamilton and Adam Kondor (contributing artist/mixer/masher) – Return of J.C. obsessed opening the gates to the city. Excellent mix of ambient and electronics develops light on the top and darker acoustic keys down below as in the oceanic floor in a sense. – Jim.

Der Leiermann – Featuring Chris Vaisvil, Bruce Hamilton, Shane Cadman and Adam Kondor (contributing artist/mixer/masher) – Wonderful textures and inspiration. Subtle delicacies in the orchestration as of being able to hear the piano pedal dampening occasionally. Lovely modernist colours and possibly thinking of Schubert in a modernist way. – Jim.

Lee Noyes
Gradus Ad Parnassum – A single guitar chord. Do not adjust your computer…. A series of squeaks and whistles as if there is loose wire.. Now a series of chords from the guitar. A certain feeling of anticipation from this piece. – Paul. Single chord manipulation by the lone piper Mr. Lee. Really interesting electronic colours all around it as the piece develops. Like the horn like burst near end. – Jim.

Peter Thörn & Roger "ErocNet" Sundström by Paul Muller

Peter Thörn & Roger "ErocNet" Sundström by Paul Muller

Roger “ErocNet” Sundström
Ghost Bells – Bell tones that are… ghostly. The tones shimmer and remind me of wind chimes – very pleasing. – Paul. A feeling of ‘rubbed’ water glasses in mass generating the ringing bells, like floating through a cavern or chamber at first delicate and then later like a chainsaw forging the path through the uncharted. – Jim.

Space Reverie – A kind of ‘Geiger’ counter effect opens this piece that reminds me of a sound Lee had a while back. Evolves to more electronica even a bit sounding like the water-glass described on another track this thread and then decays. Maybe its radio telegraphy of distant galaxies and passing through one dimension to another. – Jim.

Reverie – The ‘gating’ on the opening of this one is interesting, kind of like drawing chalk marks on the pavement, there then the wind gradually blows away as if fading into the next passage. The effect continues into kind of ‘dub’ version to my ears of the early Star Trek like theme but maybe that’s too vivid of an imagination regardless a cool piece. – Jim.

Paratectonic – Featuring Peter Thörn, Lee Noyes, Bruce Hamilton,Tom Izzo and Roger “ErocNet” Sundström (contributing artist/mixer/masher) – Rubbery slightly fretless keyboard sound surrounded by quasar like silvery bursts as if in a carnival going through the hall of mirrors. Evolves to more metallic sounds with more mystery as if digging in the dusk of the desert seeking the latter days of the gold rush. – Jim.

Untitled by Kavin Allenson

Untitled by Kavin Allenson

Kavin Allenson
Our Lady of Perpetual Sublimation – Wow, a completely new sound from Kavin this week at the start of this piece. By :40 we are back in familiar territory – some lovely playing here. – Paul. Acoustic intricacy echoing so many influences that I hear in the last couple of generations of guitar players including myself. Well done Kavin and the enhancement of the electric parts particularly near end is really nice. – Jim.

Benjamin Smith
Ben.improv.Sep.17.2010 – Playful notes tiptoe in to the room. Light and breezy feel to this. Some seriously good keyboard playing. – Paul. Vibe patch and accuracy in keyboard skills pouring down like silver in this one Ben. Cool accented part @1:56. Ending section develops like hands everywhere. Good chops. – Jim.

And as normal with each edition here are the tracks Paul and I each contributed to the thread that weekend.

Paul Muller
Pipe Organ Study

Jim Goodin
Storm in Brooklyn
G Sharp
Color Burst

Remember to check out the ImprovFriday Radio podcast series published monthly by Paul and myself. The series is available on Podomatic at http://improvfridayradio.podomatic.com.  You may also find us in iTunes, just search ImprovFriday Radio and click subscribe!

The current ImprovFriday Radio podcast episode explores the ‘mash’ work created by J.C. Combs, Bruce Hamilton and Adam Kondor. Coming up soon on the podcast series will be an my interview with ImprovFriday member artist Steve Moyes. Look for updates about that show soon.

We would also like to invite you to learn more about the ImprovFriday community by visiting us on the Ning network at http://improvfriday.ning.com. So Paul and I will see you next time for another round of reviews and news from the ImprovFriday event thread for September 23 – 25. Stay tuned soon.

Jim and Paul

ImprovFriday Radio - Jim Goodin & Paul Muller

ImprovFriday Radio - Jim Goodin & Paul Muller

Chat Log from IF Video Concert Alex Carpenter-James Ross-Michael Waller

Chat Log from IF Video Concert Alex Carpenter-James Ross-Michael Waller

Chat Log from IF Video Concert Alex Carpenter-James Ross-Michael Waller

Chat Log from IF Video Concert Alex Carpenter-James Ross-Michael Waller

Callie's Crusade for the Cure, the JDRF Walk to Cure Diabetes, Oct. 3rd

Callie's Crusade for the Cure, the JDRF Walk to Cure Diabetes, Oct. 3rd

A personal note from Jim Goodin – Consider supporting the JDRF Walk to Cure Diabetes on Oct. 3rd.

Introspective Tonality and Distant Galaxies, All Witnessed on ImprovFriday

ImprovFriday artists returned to last weekend’s (September 2-4, 2010) thread with another round of creatively challenging ‘new’ music. This event was particularly filled with much tonality and a range of contrasts as the title suggests. Our community is growing in new people who are responding to this web space of collaborative energy and, hence, each weekend the thread grows in new directions with a familiar foundation of those who have been there throughout.

With this event, a good balance between short and long pieces, some subtle, some raw and pronounced and some very eloquent and beautiful. And with that, Paul Muller and my [Jim Goodin] commentaries begin, here on the WhatsNewAtImProvFriday blog. Please take the time to check out the hyper-linked pieces of each participating artist from the event represented below.

Jeff Fairbanks
Bryna – Nice orchestral sound! Cool syncopation, good percussion groove going. – Paul. Artful percussion foundation that is quite more with cool popish sounding synth melody weaving through. – Jim.

David John Baer McNicholas
War Cock – Growling, snarling noises. Suitably fierce living up to the title. – Paul. Sometimes for some of the IF pieces I Google the name to see what it suggests. It was interesting nothing perse comes from War Cock, all derivatives none of which rings the images this track yields which is like sounds of my old state mascot from Arkansas, the razorback. Woo pig souie! – Jim.

Eat Shit and Die – Snappy guitar playing and some drumming. A sort of happy-go-lucky feel to this. – Paul. Wildly felt acoustic guitar groove in a Django style at times joined by paced drums in synchronicity, all with the tried/true phrase that seems to suggest in our time, ‘in your face’. – Jim.

Crazy Bird – Crazy bird – All birds are slightly crazy. Very outdoors. – Paul. Environmental, perhaps in the zoo at feeding or cleaning time. – Jim.

Saint Lee Harvey Oswald – Stretched tuning on the guitar – some mean playing… Great chopping and cutting here. – Paul. More of the raw acoustic guitar work of ES&D but with nice manipulation and reverse filtering in the middle. The electronic artifacts are of interest. – Jim.

Bludgeoning the Faithful. – Strong percussive beat – exotic. Nice electronica groove. – Paul. Good street beat like a bucket drummer, leads to manipulation both in edits and pitch change but rhythm track really neat. – Jim

Paul Hertz
In D – Beautiful figure, repeated 🙂 Evolves introspectively. Good use of echo around 5:30. Lovely ending. Well done! – Paul. Sounds like an evolution of the piece you did from last week Paul, Minimalist, in some ways. Clearly evolving to next place but echoes the influence nicely. Like the pulse and approach. Organ cadenza over the pedal tone is neat. Moves into the land of Riley and Reich as it moves to the conclusion. – Jim.

Chris Vaisvil
When God Comes Down From Heaven – Interesting texture to this – strong beat. Faintly Celtic? – Paul. Anthemesque and great John Bonham influenced drums carrying through. – Jim.

Finding Objections – Impressive saxophone licks – a sort of roaring like a large animal. Electronic sounds appear. A sort of buzzing sound, like bees pervades. Builds interestingly around 8:00. Glides along on a variety of sounds – nicely crafted. – Paul. Demented almost inhaled sax tone speaking wildly of John Zorn at times and actually our brother Peter. Actually thought it was him as I like this kind of emotive tone a lot. Electronics echoing other brother Jukka. Sounds combine becoming human voice like at times, scratch wheels and reverse and stutters are cool, really John Zornish throughout to my ears Chris. – Jim.

http://clones.soonlabel.com/public/improvfriday/mando/bowed-mando-a… – String sounds that seem combined in some way with brass horns. Solemn melody – lovely chords. Chant-like. – Paul. Really spiritual Chris. Middle eastern quality in your bowed instrument plays well, occasional variation with percussive guitar adds. – Jim.

http://clones.soonlabel.com/public/improvfriday/mando/ebow-mando-al… – Strong flute sound here with accompanying strings. South Asian flavor to this. – Paul. Love this! Opening is as many of us who knew of him praising Michael and keeping his voice alive then it shifts to neat mix of Frippish eBowed tone but more metallic edge. But as it moves to conclusion becomes more flute and voice like moan, resolves nicely. – Jim.

http://clones.soonlabel.com/public/improvfriday/mando/bowed-mando-v… – Distant sound – singing? Strings? Interesting sound as they combine in echoes. Very cool cymbal. Good diminuendo on the finish. – Paul. Far away and over the hills. Synth or processed voice done minimally breaths well here. Good decay on end. – Jim.

http://clones.soonlabel.com/public/improvfriday/mando/bowed=mando=b… – Deep solo bass notes repeated provide a strong sound. – Paul. Cleanly plucked fretted electric bass, repeated sequences gradually evolving to fluid lines as the piece develops but never loses the sense of the initial foundation groove. – Jim.

J.C. Combs
Jackie and the Beanstalk – Deep mysterious tones create an atmosphere of uncertainty. The sounds are almost like vibrations you can feel – like that very lowest note on the church organ. Voices appear with much echo. The booming is louder now – and pitches can be perceived, a sort of mournful chord. 60 Hz sounds are added and the intermittent clatter of something dropped. A good sonic portrait of what it must be like to enter the giant’s house at the top of the beanstalk. – Paul. Sense of ominous things about as if ants preparing for something deep and scary to wake up as they scurry about the underbrush. Clearly the giant is resting. I can see the shadows and I can see the plant-like tree towering into the clouds – I do have a vivid suggestive imagination. All aside, cool low-end with occasional metallic things beginning to creak as the piece progresses. The ‘hum’ weaves through as if leading us to climb and see. – Jim.

Glenn Weyant
http://www.sonicanta.com/audio/scuttling_mice_kestrel_and_glenn_wey… – Way fast violin and piano playing provide cool sounds. – Paul. Nice competitive frenetic dialog here Glenn. Like the fact the piano is sort of the in the forefront and the violin is almost ambiance but still very interesting figure and interplay. Well played. – Jim.

Kavin Allenson
Ursa Minor:3 Views – Fine guitar licks here – lovely playing. Beautiful chords in at 3:30. Effective use of echo. – Paul. Really beautiful and evocative Kavin. I hear where you have been and watch where you are going. – Jim.

Crychord Perfunkt – or otherworldly – feel to this. Cool use of the strings. – Paul. Electronic telephony, kind of the past and the not so past. Sets the stage in the beginning for interesting acoustic guitar workings later in the dialog. – Jim.

electric hair – Cool Kavin. Bit of Hendrix lurking and really nice mix of the one effect I can’t recall at this writing that’s part vocoder and part pitch mod and shoot what is it! I know it well and Jeff Duke is king of it. I digress, really cool modish track. – Jim.

Jukka-Pekka Kervinen
Deep Web – Wonderful mix of sounds in all registers. Ominous sounds – like being in a strange harbor at midnight. – Paul. Really beautiful Jukka. Nice departure from your more frenetic pace. Explore more like this though contrast is always good. Well done. – Jim.

Tenth Exit – Industrial sounds now – the distant hissing of torches cutting metal, low rumblings. – Paul. Darker mood but still nice exploring. Subtle movement in your tones. Has a good far away quality. – Jim.

Jérôme Poirier
To Trap a Mockingbird – Featuring Steve Moyes, Shane W. Cadman and Jérôme Poirier (contributing artist/mixer/masher) – Busy guitar strings. Birdlike chirps emerge from a swirl of sound. – Paul. Pensive and spacious with great escalating electronica in the latter part. – Jim.

To Trap a Bellbird – Featuring Roger “ErocNet” Sundström, Benjamin Smith, Paul Hertz and Jérôme Poirier (contributing artist/mixer/masher) – More birdlike sounds – created effectively from chopped up keyboard pieces. – Paul. Constructed and creatively edited between the lovely Bell Labs piece of Roger’s and the exploring keys of Ben and Paul. – Jim.

Norbert Oldani
Melodic Imro. over an Ostinato – Shimmering sounds shoot out – light touch but lightning fast. Very nice. – Paul. Quasar like reverse envelope sounds weaving between western tonality and the Far East at times. Like the patch Norbert. – Jim.

Two Samples Multiplied Together – Low rumblings – the snorting of some great beast? – Paul. The razorback returns… – Jim.

Sample Cloud of an Ancient Greek Kithara – A very taught sound, almost percussive. – Paul. How did you get up in the clo…. sorry, pensive again interesting sound patch here. – Jim.

Shane W. Cadman
Piece090310 – The looping of the two guitar samples seem almost like a phasing effect. The echo adds effectively to what would seem to be straight-forward playing. Well-conceived. – Paul. I like all the guitar work you are doing these days Shane, different path than the first pieces I heard of yours when I first joined though all well done. Has a nice western feel in the High Noon. – Jim.

Lee Noyes
The Crosswise Pattern of Things Now – The Crosswise Pattern of Things Now – Interesting mix of bumps and liquid sounds separated by silences. Pre or post-quake? Chirps and beeps, but very quiet. Like we are observing some feral activity. – Paul. Nice mix of sudden bursts and pans on the opening moments. As always much patience between your negative space and the sudden contrast Lee. Like the bass bump sound that is the bolder contrast. – Jim.

Bruce Hamilton
Kjash – Keyboard tones with echo produce a solemn melody. Now a flute joins in – short notes on the edge of the phrase. Now electronic sounds – a chilled feeling to this. A return of the keyboard riff ends the piece. – Paul. Def’ly ‘electro acoustic’ in feel and timbre. Sense of space by somewhat planned erratic pulsed. Calculated and well done Dr. Bruce. – Jim.

Still New Part 1 (rough) – Featuring Tasha Warren and Bruce Hamilton (contributing artist/mixer/masher) – Really cool Bruce. The opening mist like ambiance began to suggest something almost ‘Lost’ like as I watched two episodes this AM with my son then the clarinet sound enters which was really the cooler of cool. Quite fluid and acoustic with occasional electronica feel. – Jim.

Adam Kondor
Mozart Chiaroscuro – Mozart played on tablesaws! Reminds me of certain orchestra rehearsals of long ago… An aggressive sound produced by seemingly polite melodies. – Paul. Like traffic going backwards, the tape is rewound, the strings sound great in both directions! – Jim.

Bowles in Tangier – Featuring Benjamin Smith, Peter Thörn, Steve Layton, Norbert Oldani and Adam Kondor (contributing artist/mixer/masher) – A delicate sound, like wind chimes to which keyboard and sitar added. The sound seems to float and hover in front of you. The piano and sitar trade off, each going their own way. Exotic, relaxing. – Paul. Wild mash Adam, love the real sense of east meets west that comes out of this. Peter’s sitar like stuff is really strong. The chimes floating through equally. Good ending. – Jim.

Found Object – We are in the movie ‘The Seven Samaria’ – suitably exotic. – Paul. Almost comical and can’t help but think of the Monty Python here doing their spin of the Samaria. – Jim.

Guarded Optimism – Featuring Roger Sundström, Benjamin Smith, Bruce Hamilton, Lee Noyes, Kenneth Palmer, JP Kervinen, the voice of Martin Rees and Adam Kondor (contributing artist/mixer/masher) – Nice glass-like tone at the opening. Soft notes by Ben Smith. Very atmospheric. interweaving of the piano pieces very effective. Turns ominous at 6:45 – the carefree feel of the keyboard pieces has left us. The text only amplifies the new mood. – Paul. Nice scape with a feel for post 60 Sci-Fi. Academic voice over or inclusion is a feel you bring to several mashes well Adam, always introspective and subtle message within. The snyth like ambient voices had a certain ‘haunt’ underscoring the minimalist uncertain narrative. – Jim.

DelphiIN – Processed speech! Can’t quite make out what is being said… Sounds political, but voiced by space creatures. A lot of Jukka-Pekka type sounds here… – Paul. Rather serious narrative commentary on the World in recent years by paradoxically playful Alvin and Chipmonk guy with a cool metalesque foundation. – Jim.

DRAMA – The Beatles tune and voices, followed by a beautiful choir at the finish – too short. – Paul. Nice weave, love the choir at end. – Jim.

Steve Layton
Reee! – Sharp cutting and pasting here – has the sound of musique concrete. Approximates some of Jukka-Pekka’s sounds but these have a softer edge. – Paul. Audio frequencies bouncing off the stellar surface like rain coming down. – Jim.

Piano Dream with Rider – Featuring Benjamin Smith, Roger Sundström x2, Kavin Allenson, Peter Thörn, Adam Kondor and Steve Layton (contributing artist/mixer/masher) – Sleek piano notes surrounded by lush orchestral chords. Beautifully atmospheric. Now voices, horses and a saxophone – a disruption of some sort. But the mood is restored and glides to the finish. The pieces for this mix were well-chosen. – Paul. Pristine piano lines encircled by haunting voices and saxophone. Piano grows in intensity acting like a flashlight looking through a mysterious chamber. – Jim.

Bump Drift – Featuring Lee Noyes, Kavin Allenson, Jukka-Pekka Kervinen and Steve Layton (contributing artist/mixer/masher) – Lee’s piece adds mystery to this right away. Like drifting on a slow river at night. Jukka’s sounds end it on a strong note. – Paul. Things that go ‘bump’ in the night. Exploring. Sounds bit like sharpening things. Nice balance of electronic with acoustic sounds throughout. – Jim.

Forward – Featuring Paul Hertz, Steve Moyes, Peter Thörn, Chris Vaisvil and Steve Layton (contributing artist/mixer/masher) – The organ figure keeps us on a steady course while the strings weave their light melodies. At about 4:30 a sort of ghostly choir rises from below. At 5:50 the organ becomes more animated and, joined by voices, a nice groove results. The organ returns to a soft, slow pedal tone to finish. – Paul. The minimalist quality in Paul’s organ moves this mash nicely along enhanced by Peter’s sleigh sounds. The guitar work and synth voices enter for a nice ending in the ‘forward’ motion it all suggests. – Jim.

Gardens of Babble On – Featuring David John Baer McNicholas, Adam Kondor, Chris Vaisvil, Kavin Allenson and Steve Layton (contributing artist/mixer/masher) – Ghost voices with darkness circling around acoustic frenzy, pulsed by slight funk lines in the bass. – Jim.

Skybridge – Featuring Jukka-Pekka Kervinen, Kavin Allenson, Shane Cadman and Steve Layton (contributing artist/mixer/masher) – Floating over imagination Steve. Like the guitar interplay and sense of a thing from above that your foundation gives. Nice decay out ending as if going in to the mist… Jim.

Traveler’s March – Featuring Adam Kondor, Jim Goodin, Chris Vaisvil and Steve Layton (contributing artist/mixer/masher) – Nice to be included in this and love the way you grew the density of this Steve. Good sense of sureality in Adam and Chris’s orchestration and wash. – Jim.

Benjamin Smith
Ben.improv.Sep.1.2010 – Soft, solitary notes produce a mysterious feel. Reminds me of Thomas Bjornseth’s piano pieces (where has he been, anyway?) Solid playing here – a sort of question and answer dialogue at about 3:40. Thunderous towards the finish. Well-crafted. – Paul. Wow Ben has his keys back or something new. Excellent pristine acoustic piano piece, shines like the sun all through, delicate at first, really tasteful notes and then grows to beating the hell out of keys with tremendous passion. Welcome home Ben! – Jim.

Ben.improv.Sep.2.2010.a – Electric keyboard generates a subdued, solemn feeling. Quiet, introspective with just a hint of anxiety. The ending is like a music box running down. – Paul. Contrast but lovely exploring on a Rhodes like patch, soft and mellow as if looking under every leaf, every object about the room for that thing that I misplaced, was never there, was… – Jim.

Ben.improv.Sep.2.2010 – Music for the inside of computers! Interesting tones – metallic and echoey producing a shimmering texture. As the pitches get higher a sense of uncertainty increases. Lovely chord at the finish. – Paul. Steve Layton influence here to my ears and particularly in the synth patch. Has feeling in the lines of falling down like water in a waterfall. Good sense of the duality of the hands in this piece. Fall like the rain Ben. – Jim.

Roger “ErocNet” Sundström
The Light – Bright guitar and electronic sounds – wonderful, sunny feeling here. – Paul. The light delicate warm inviting. Cool blend figerpicked uke or guitar with reverse electronics. Good one Roger. – Jim.

The Light 2 – like staring at the sun. You can feel the light hammering at you! The slight changes in dynamic levels are effective. Lovely chord at 2:00. Beautifully realized – a brilliant piece! – Paul.

Bell Sound Studie – Bell tones reduced to their sinusoidal essence – ringing then slowly fading away. Almost like hearing sound in a vacuum – if that were possible. Interesting interaction with the overtones. A lonely feeling in this piece – reminds me of ‘2001 – A Space Odyssey’ sequences. Holds your interest over the duration. – Paul. Love this. First heard it on portable coming home and the way the sounds started were in the back behind my ears in the headphones. It was unclear for several moments whether I was hearing environmental along my walk or recording from the phones. Sneaks in like the warm fog. – Jim.

Vapor Anguish – Featuring Jukka-Pekka Kervinen, Paul Muller, Shane W. Cadman, Norbert Oldani x2, Peter Thörn and Roger “ErocNet” Sundström (contributing artist/mixer/masher) – Some serious guitar strumming in the opening along with Jukka’s electronic effects builds tension. Shimmering chimes provide the vapor. Anguish indeed! – Paul. Sort of Good Bad and the Ugly like theme over space age electric the Asian like koto patch enters with neat acoustic slide guitar section and gutter electronics that takes is home. – Jim.

I’m Happy – Featuring David John Baer McNicholas, Adam Kondor x3 and Roger “ErocNet” Sundström (contributing artist/mixer/masher) – You are happy there Roger! This is neat, almost Pee Wee Playhouse in mood and equally cool street beat at the same time. Heck throw in the Tubbies as well. Nice groove. – Jim.

Slow-reacting Substance A – Manipulated are pitched down possibly processed prepared guitar and am thinking of that huge harp exhibit in California that’s like part of the landscape and huge. This sounds that way like it’s almost ‘found’ or part of another process. Neat. – Jim.

The First Electric Beard of an Adolescent Boy – Featuring Kavin Allenson, Jukka-Pekka Kervinen, Chris Vaisvil and Roger “ErocNet” Sundström (contributing artist/mixer/masher) – First electric beard really nice ring mod leading in to ambient wash of electronics, drone and decaying voice. – Jim.

The Devil With the Three Golden Hairs – Featuring J.C. Combs, Bruce Hamilton, Peter Thörn and Roger “ErocNet” Sundström (contributing artist/mixer/masher) – Like time-lapse footage of beams of light sweeping across a canyon landscape, almost like a search light in the fog. As in ‘Jack’ one senses the greater presence below albeit good or bad. – Jim.

Peter Thörn
Fate – Distant busy string sounds create a sense of frenetic activity. The fates are weaving their cloth of history. – Paul. Wonderful raga fused tone going on here Peter. Definite sitar vibe and authentic feel, you really have this well and have impressed me with it as long as I’ve known you. It is indeed ‘Fate’. – Jim.

Spirits – Strumming chime-like sounds provide a sense of airy lightness, as if hovering in the air. Ephemeral, like sleigh bells off in a distant wood – was it really there at all? – Paul. Christmas… – Jim.

Poem – Sitars provide a distinctly North Indian feel to this. A story being told here and towards the end it almost seems like the sitar is speaking. – Paul. Peter this is marvelous. Didn’t know you had a sitar and wondering if you are getting this from your fretless guitar and some manipulation. In a sense the surprise is better as it’s just really nice feed for raga which you seem to be there subconsciously. – Jim.

Passing By – Passing by hammered dulcimer sounds like wind chimes blowing against each other in resounding chorus. – Jim.

Object Found – I did a piece early on in IF that Joseph Benzola exclaimed I sounded like Don Cherry. This is what I think here Pete. Really fluid voice like horn which is so you and the animated cultural voice blending in is indeed the ‘object found’. – Jim.

Kenneth Palmer
A Candle Thing – Video! Nice mix of music box and piano. A warm feel to this music. At times the music follows the dancing flame. Perfect ending. – Paul. A new step in our world here at IF Ken! The film is really nice, almost more within the shadows of the flame than the flame and lovely score which is your penchant, balance between keys and orchestration really nice. – Jim.

Dance Project – Simply beautiful. – Paul. Wow! Tremendous moves in the young woman’s balance between dance and yoga. The first time when she descends in a roll to the floor and your strings beautifully follow Ken is the peak. Nice exploring in your well placed orchestration throughout her moves. Nice ending release into black. – Jim.

Though we don’t review each others work via this blog Paul and I do participate in every ImprovFriday thread. These were our pieces from last weekend’s event.

Paul Muller
Labor Day

Jim Goodin
Approaching

Thanks so much for following ImprovFriday via this blog. We hope you find it challenging and interesting. ImprovFriday is a very vibrant and active community of musicians who are committed to creating and publishing new musical content every week which keeps this thread flowing.

In addition to the WhatsNewAtImProvFriday blog you should also check out the monthly ImprovFriday Radio podcast series on Podomatic.com and also accessible on iTunes. The recent August episode hosted by Paul featured the mash work of Bruce Hamilton, J.C. Combs and Adam Kondor. The September episode (soon to be posted) will feature and in-depth interview with ImprovFriday member artist Steve Moyes of the U.K. i interviewed Steve a couple of weeks back via Skype so please join me for a look at the work of Steve, a fine multi-instrumentalist and looping musician. The ImprovFriday Radio podcast is located at ImprovFridayRadio.Podomatic.Com.

Lastly please visit the world of ImprovFriday on the Ning network at ImprovFriday.Ning.Com and we’ll see you next week on WhatsNewAtImProvFriday for a look at the thread event of September 9 – 11.

Cheers,

Jim and Paul
ImprovFriday Radio - Jim Goodin & Paul Muller

Mosquitoes Attack House Speaker Nancy, ImprovFriday visits Bushwick, News at 10, All on ImprovFriday!

Well friends as the mosquitoes roar about our ears in pursuit of house speaker Nancy, fellow ImprovFriday member artist Paul Muller and myself [Jim Goodin] once again reconvene for another post of WhatsNewatImprovFriday looking back at the musical work done by the community during last weekend’s (August 19 – 21) open call thread.

In addition to the 31 fabulous pieces of music produced by the many fine ImprovFriday artists, we at ImprovFriday were proud to host our first remote live video webcast on Friday evening August 20th. Musicians James Ross, Alex Carpenter and Michael Vincent Waller performed live from Brooklyn venue, Goodbye Blue Monday. We produced their show to streamed video and carried them live on the ImprovFriday home page. Below the thread reviews are details on the show as well as some of the interactive chat and performance pages.

Notes from Paul: Last week I overlooked a piece by Todd Lainhart – just flat missed it in the thread. Sorry Todd – Jim Goodin has posted some comments on your piece on the What’s New at ImprovFriday blog. [editor’s note: August 12-14 post]. Thanks to Chris Vaisvil who has been posting comments on pieces this week in the event thread. Good work! Very fine work posted here this week. Steve Layton is out of his studio visiting Los Angeles so we have fewer pieces from him this week, but still lots to listen to.

And with that said Paul my friend and co-commentator we are off looking at ImprovFriday member artist work produced for the weekend of August 19 – 21, 2010. Links to each artist’s work are included so please to check out the wonderful tracks done.

Bruce Hamilton
Verging On – Good processing of speech on the intro – artistic yet intelligible. The piece that follows effectively evokes a spare and open landscape. – Paul. Creative Max Headroom (early 80’s commercial editing style showing age) style editing, love the Jerrrrssssseeeeyyyyy stretch Bruce, leading in to a low level ambiance a kin to settled myst over the spill of a waterfall. Nice woodwind and subtle piano/keys emerge. – Jim.

Promise – Begins as a recording – we are outside, I think. Now pop music – we are on the side of the road in the sunshine. Nice warm feel to this. – Paul. Environmental beginnings that lead in to a Paul Simonesque sound South African sound ala Graceland, very reminiscent even in the lyric content. Good one Bruce. – Jim.

IF ReCon – Featuring J.C. Combs, Jeff Fairbanks, Jérôme Poirier, Roger Sundström and Bruce Hamilton (contributing artist/mixer/masher) – Another IF community kind of ‘chain letter’ piece similar to last weekend’s collective piece. Really nice. Begins with ambiance, environmental, voices and wind chimes segueing to ambient mix that increases in density as it rises slowly as if the sun cascading across the landscape then descends and back to environmental sounds like a summer day with a lawn mower in the distance. – Jim.

Shane W. Cadman

Piece082010 – Great bass effect – oscillates left and right in my headphones. Echo adds a nice repetitive effect 🙂 Solid musical instincts here are not obscured by the technology. – Paul. Great diggeridoo real or synth patch on the beginning! Really cool sound modulation of the opening into other synth sounds with neat auto panning effects. Neat sense of a sense of light to dark in this piece, ends with a nice saw tooth wave. Excellent piece and sounds Shane. – Jim.

Lee Noyes
Abandoning Sound – Short bursts of sound enveloped by silences. The sounds are percussive mostly. Vaguely familiar but hard to place – amazing how this increases one’s concentration – an interesting psychological effect. The sounds seem to get louder as the piece proceeds – like we are hearing someone organize a workbench full of tools and metallic materials. Surprisingly engaging. – Paul. Wandering about the room which is clearly Lee’s canvas and finding an occasional pulse, beat of sound. The room is the canvas is the space between sounds. Sounds of what sounds like a drawer of silverware being sorted or coins paints the rooms, then an occasional horn like or tweet sound occurs in Lee’s exploring. At one point there is a pattern in the sounds that contrasts with a perfect rhythm and a neat ‘noise gate’ feel, occurs about 6:30 in to the 8:09 minute score. Right near end you do this rhytmic figure that brings to mind my friend Will. You continue to push your envelope in to the next Lee. – Jim.

Steve Moyes
Backs – A deep humming sound increases in level – gives an effect of rotating. Various other pitches and beeps creep in, but the rotational effect is sustained. At 1:40 the tones break into a triad and more sounds appear – like we are in a spaceship trying to take off. By 3:00 things have settled down – we could be in orbit – a sense of effortless motion. The tones are very active – high and low pitches – giving the sense that something is being communicated. By 8:00 more agitated sounds – engine trouble? By 9:00 we are back – watching the the visitor depart. Nice journey – hope the spaceship analogy wasn’t over-worked… – Paul. Excellent oscillations and modulations Steve. Bordering on chasing Mr. JP Kervinen at a point, concludes and then begins another tubular like journey. The tubular part mod’s to glitch a bit and tips it’s hat to Mr Noyes I think. The pitch changes almost like the slide whistles at times around this section @6 minutes are neat. As the piece winds down we’ve clearly been moving through the cosmos and the sites are on the ‘beyond’ as I would expect no less Mr Steve. – Jim.

Steve Layton
Small Sad – Nice mix of two different keyboard sounds with percussion – just getting started! Should be revisited and extended, IMO… 🙂 – Paul. Like the ‘stuttering’ feel of the rhythm Steve and with the momentary piano voice, it has a sense of unpredictability and then, concludes. – Jim.

Feeling the Way – Featuring Lee Noyes, Jérôme Poirier, Kavin Allenson, Roger Sundström, Ken Palmer, Bruce Hamilton and Steve Layton (contributing artist/mixer/masher) – Mysterious feel to this – Lee’s piece adds to the sense of uncertainty. Bubbling, then boiling sounds add a sense of menace and nearby danger. Piano music at 5:00 makes a nice contrast of misplaced normality. By 7:15 we have made our way outside – it’s sunny and children are playing! Great sequencing – even if all you had was an old Mac and Audacity. Next week – magnetic tape! – Paul. Your recent trip to California got you some movie score influence here Steve. Really nice color in the surrounding synth sound layering the voices and other parts of the mash. Quasi industrial and quasi ‘Lost’ to me. Lee’s random ‘abandoned’ percussion sounds appear at interesting places as your orchestration fills the space between. At times it calls for a squeezed down telephone or radio voice mixed in almost like something you might hear Eno or Bowie throw in. Lots of great mystery and color throughout. – Jim.

Kavin Allenson
long after midnight – out on the highway, maybe. Nice effects here of wide open spaces, headlights in the distance. Using a sound stretcher? Like quarter notes in succession, except slowed down 20x, you can hear the strings vibrate. Beautiful. – Paul. Man everyone did such lovely rich orchestration on this thread and Kavin your’s no less. Rich floating patches float about searching the sea floor to unknown depths. Really great dark voice suggests there is something near. The dark voice returns near end just like the ‘Smoke Monster’. Good colors and mystic Kavin. – Jim.

Paul Hertz
Adagietto for the End of Summer – Warm and slow – like an August sunset. The woodwind effects are quite good – oboe and bassoon. A slightly melancholy feel to this. Fine continuity – well sustained for a long improvisation. – Paul. Lovely lovely track Paul, melancholy, a bit mournful and occasionally joyous. Reminds me of Faulkner and magnolia trees and the rural south at times. – Jim.

Chris Vaisvil
Subway Pinball Paint Can – Wonderful mix of pinging and plinking sounds with saxophone – you can hear the paint can being shaken. Sforzando is effectively realized. Good processing and mixing here – title is accurately portrayed. – Paul. Kind of a ‘Birth of Cool’ for the melinium. Horn voicings and effects with maybe some editing cast a real west-east feel to this within the continental States. Has a sense of LA and NY combined. Good mood Chris. – Jim.

Kenneth Palmer
Chilling Out – Lovely mixture of bells, guitar and woodwind. Solid bass line. Piano brings us back to familiar territory. Exotic feel to this – Peruvian? – Paul. One of your best Ken, cool earthy World tones setting an ambient vibe with a gentle beat, tasteful piano tones float about, an occasional wind chime tone is the added spice. – Jim.

Jukka-Pekka Kervinen
MOD/Impro #1 – Fast-paced, explosive sounds here. We are inside a pin-ball machine! Nicely realized. – Paul. Short bursts and creative edits, low end reverse scratch like tones, all woven together in this electronic scape, like a circuit board on speed! – Jim.

Mayan Ceremony, variation #1 – Featuring Adam Kondor and Jukka-Pekka Kervinen (contributing artist/mixer/masher)Mayan Ceremony, variation #1 (feat. Adam Kondor/Jukka-Pekka Kervinen) – Interesting cutting of the percussion offers a fast and exotic feel. – Paul. Electronic tones meet organic tones, manipulated in a digital age, pitched and stretched, like chalk marks in the rain, etched in time. – Jim.

Jérôme Poirier
Undrinkable – Featuring Steve Layton, Roger “ErocNet” Sundström and Jérôme Poirier (contributing artist/mixer/masher) – Lovely bell tones amid the bubbling and electronica. Feels like it owes a bit to Steve Moyes’ ‘Backs’. – Paul. A sense of ascending and descending, crunching steps through a snow field, tonal stretches, cool organ tones intermingled with variable oscillations, the footsteps pass into the distance. – Jim.

Portrait of Bruce Hamilton’s ‘verging on’ – Featuring Bruce Hamilton, KGMI Radio and Jérôme Poirier (contributing artist/mixer/masher) – Nice mixing and cutting of Bruce’s voice. I guess if you put your voice out there it’s fair game… 🙂 The pizzicato strings provide a nice finish. – Paul. This one is a riot Jerome! Love the exaggerated manips of Bruce’s voice over and sparse tones. Tip of the hat to Lee in the use of space. – Jim.

Paul Muller
If082010 – Remastered by Adam Kondor – Adam’s processing gives the pulsing lines some space, helps the oboe cut through and warms the texture a bit. Thanks! – Paul. Brings to mind the Windham Hill duo of Ira Stein and Russell Walder. Lovely oboe patch leading the way as path along the tree lined road. Nice work gentlemen. – Jim.

Jérôme Poirier
Get Directions – A fountain, children are playing! Crowd noises and a siren as well as church bells – a perfectly normal day… Rapid French – getting directions? A beautiful sonic portrait. – Paul. The day begins with the starting bell and they’re off! Environmental, a day in the life, a city square, confusion, how do I get to… – Jim.

J.C. Combs
Parader – Indistinct, distant drums slowly make their way into the foreground amid sirens and car horns. Nice cadence at 1:20… Good panning here – they marched from left to right in my head! A roll-off and some music, but obscured by some motor float, I expect. At 3:00 a much hipper cadence appears. Bagpipes! But they are playing a cliche… At 5:00 the fire trucks growl like tigers… Motorcycles at 6:45 – Shriners? Never fails – wherever you stand on the parade route the bands march by – but they aren’t playing. Good clear sounds – thanks for inviting us along… – Paul. Approaching, approaching. Drums in the distance in cadence, a siren goes by. Nice right to left, left to right drum pan then segue to a roar of machines, generator, cotton candy machine or your thought here. Drums approach again this time joined by pipers. A precursor to a circus, small town celebration as I grew up with celebrating the annual summer water festival or marching to war. As with your recent posts J.C. really great creative process in your aural documenting style. – Jim.

Norbert Oldani
Improvised Convolutions 2 – Interesting funk pattern going here that seems to deconstruct as it goes along. Reminds me of the theme to “Mission Impossible”. – Paul. Are these and your others this weekend in Kyma Norbert? These are great, very organic percussive beats kind of ala Blue Man Group sounds, particularly at :39. Visual afro beat. Good patterns as Paul pointed out. – Jim.

Study for Woodwind and Trombone – Repetition! Nice mix of trombone, clarinet, saxophone and bassoon. At 2:11 we have the trombone in a much better register. Everything is up an octave and it produces a crisper sound. Nice groove goin’. – Paul. Echo’ing Paul a bit Norbert nice sounds between the trombone and bassoon. Plus I almost thought it was a mash piece with Paul as the main lead clarinet reminded me so much of one of Paul’s pieces. It’s interesting when you start sliding the piece a bit ‘downward’ mid-way, makes me think of shifting platelets in the earth under shelves (I know where did that come from! had a very visual childhood…). As the piece moves along your voicings start to remind me of modernist composer Honnegger in the orchestration. Good piece Norbert. – Jim.

Jeff Fairbanks
Tude – Dude! Lush mix of woodwinds, organ and electronics. Big, warm sound here – well done. – Paul. Pulsing mix of voices that really gives this arrangement a ‘real’ effect. Organ has a minising almost clipping sound that with the other voices sounds really neat Jeff. Feels a bit like a hot air balloon making it’s way through jagged mountainous passage. – Jim.

Johnny & Faith
A Cloud Of Mosquitoes Eating Nancy Pelosi – Yikes! It sounds exactly like a giant swarm of mosquitoes… Mosquitoes as big as B52s! I guess Newt Gingrich was too sour for them… Sufficiently scary for any politician! – Paul. Okay sad as it is I had to Google to find out how Miss Nancy is/was so I guess that’s good education for me as part of the uninformed public here Johnny. Appreciated. And judging from this swarm I don’t think she will fair too well, she must be swinging much too right. Tis some good ‘noize’ there in your piece J and F. – Jim.

Adam Kondor
Grisaille – Masterful mix of the entire Aug 13 event. The parts never overwhelm and are carefully sequenced. Amazing achievement. – Paul. The name makes me feel a sense of Africa about particularly in the beginning. I will say also Adam includes snippets of some of my udu trax (thank you) and also later on a some of friend Will [Romano] (thank you) so hence the ‘African’ vibe. There are also others (Roger/Jukka hear for sure and sure there are more) from the community passing through so tis ‘Adamashed’. Funny too I guess from the Africa thoughts I was thinking that Grisaille was a critter of the plains but in reality it is a painting that is all monochrome or shades of gray so in a weird way suddenly this mash goes other visual directions to me, such as a blending and kind of evenness so there you go power of words. – Jim.

Sairung – A Rainbow Over Time – Featuring Shane Cadman/15Jan, Paul Hertz/8Jan, Lee-Noyes-&-JC-Combs/22Jan – a shooting star and Adam Kondor (contributing artist/mixer/masher) – Bright piano, bells and drone light up the landscape. Full of sunny optimism – sad to hear it end! – Paul. Adam some great environmental work this weekend and this one no less. Sounds like a bit the Far East as well as for some reason I want to say Willy Wonka as it has a factory sound but fun sound. – Jim.

Two Clarinets – difficult playing here – how do the two stay in tune? Wonderful weaving of each melody line in and around the other. Very bright sound in this register. Like two butterflys chasing each other in a summer meadow. Unexpected ending! – Paul. Weaving plants entangling vines, sunlight trying to peer through but much closure here. Tight linear lines that take on organ color to my ears but clearly blown. Low register line enters nicely like a new vine beginning to sprout. Nice endslip the way the piece resolves. – Jim.

Mayan Ceremony – Firecrackers, drums, a big crowd – must be something interesting. Low droning horns provide interesting contrast to all the excitement. Now the ceremony starts… 1000 years old but with jets flying overhead. Sun, air, rain – esp rain – very important. Now faint drumming and chanting – getting louder. Interesting how music really adds a lot to any ceremony. A valuable reconstruction. – Paul. A sense of building abounds during first few minutes so it’s kind of preparing for a ceremony. The voices and environmental documentation are grand, the voice of an older woman talking about ‘today is the day of the Sun’. A feeling of both the present as well as back centuries to the Mayan civilization, the woman’s voice sounds as an edict to not forget the past. It’s such a constant metaphor in our planet’s ‘worlds’ and cultures. Really interesting piece Adam. – Jim.

Verbunkos – To Lee Noyes – Featuring Bela Bartok, Jimmy Giuffre and Adam Kondor (contributing artist/mixer/masher) – More difficult clarinet playing. Pizzicato strings appear. Settles into a sort of swinging mode but filled with interesting contrasts. The two styles don’t quite compliment each other – but each plays off the other surprisingly well. Perhaps Adam should notate this – could be a great piece for an orchestral concert. – Paul. Sounds like a mix of 60’s filmreel score and 40’s dance band. Lovely orchestration between the modern classical winds, swingesque light piano and kind of Goodman lead clarinet that weaves through. Actually lead clarinet gets more modern near end and then sneaks away. – Jim.

Roger “ErocNet” Sundström
Nifsarpsmaden – Liquidy sounds, and walking on gravel. Roaring and water sounds – no doubt a waterfall. Nice tour of some Swedish water features – unlike anything we have here in SoCal. – Paul. Well lots of education this week. Nifsarpsmaden is a wetland in Sweden that is sort of from I what interpret online, an area that has been setup to organically handle sewage treatment. If I misinterpret, Roger or Peter, please correct me. But another great environmental as we get the sense of walking about, of wet grass or for a bit before I knew this I thought the crunching of snow but it has ‘melted’. Near end we hear nicely recorded cicada like critters. – Jim.

ICA – Guitar sounds here. Arpeggios with unusual starting points and endings. Pensive feel to this. Nice gentle closing chord. – Paul. From wetlands we return with Roger to a sense of traditions and raw guitar, still progressive and some alternate technique. A bit Frisellian color as I’ve pointed out before in Roger’s phrasing and feel. Nice chord color ends. – Jim.

These were all the recorded pieces from last weekend’s thread. In addition to these pieces history was made for the IF community on Friday evening August 20th when we streamed live from a Brooklyn (NY) music venue, a video performance of the live Goodbye Blue Monday show of members James Ross, Michael Vincent Waller and their collaborating ‘band mate’ Alex Carpenter. ImprovFriday began hosting live ‘in studio’ video webcasts in the spring of 2010 but this was the first to take place from a public venue.

Richard Lainhart and myself produced/streamed live to the Internet the inspired evening of ‘new’ experimental music. Richard did a stellar job of camera and sound and I monitored our online feed and interactive chat which I provided play-by-play text and audio voice over commentary. Included in this section are screen captures of some of the interactive chat which was an audience of @30 known connections between ImprovFriday and Livestream. Our feed was broadcast to the Internet via video host Livestream.com then embedded on the ImprovFriday page.


It was such a great night of introspective thought reaching music from the three experimental artists coming from the stage of the Bushwick neighborhood music haunt, Goodbye Blue Monday.

James Ross performing live at Goodbye Blue Monday, Brooklyn, NYJames began the evening with a screwdriver infused wash of guitar driven sound in a traditional un-guitar driven way, beginning subtle and ‘raising the roof’ a few notches and then as the tide goes out, down came the wash of wired tones lowering the roof gently back in place in the 20 minute performance.

Next up Australian born Alex Carpenter took the stage Alex Carpenter performing live at Goodbye Blue Monday, Brooklyn, NYbringing a ‘harp like’ 6-string wall of delay laden tones that nicely balanced, equally complimented and yet contrasted James set.

James Ross, Michael Waller, Alex Carpenter Live at Goodbye Blue Monday, Brooklyn, NYNext up Michael, James and Alex teamed up for a journey to ‘dorian’ land population three, brilliantly locking in on a huge unison low end drone, expanding upward and outward to a gorgeous cerebral alchemy. It was a great evening and first for ImprovFriday. Special thanks to James, Alex and Michael for a great show!

The archive recording of the ImprovFriday Goodbye Blue Monday show can be see at http://www.livestream.com/otownlive.

Lastly though Paul and I don’t review each others work publicly as part of this blog, we both contribute each week to the thread. Paul’s fine track was listed as part of the thread above as Adam Kondor wanted to do a re-mix of it this week. Here is a link for the piece I did…

Jim Goodin
Down to the Goat’s Ass Blues Minimalism Brooklyn Funk

That’s it for this week. Join us next week for a look at the new music from the ImprovFriday thread, August 26-28. Remember the ImprovFriday Radio podcast series which for the month of August Paul looks at mixes a mashes, featuring the work of Bruce Hamilton, J.C. Combs and Alex Kondor. Have a great day and as my since passed on much too soon old Arkansas friend, Ray Lincoln used to say when he would close his radio talk show on KARN-AM, ‘I hope you did something fun today ’cause it cost you a day of your life!’

Jim and Paul
ImprovFriday Radio - Jim Goodin & Paul Muller

Visit ImprovFriday at http://improvfriday.ning.com.

LIVE from ImprovFriday, this Friday!

ImprovFriday will be doing a ‘first’ this Friday evening, August 20th, at 10:30 EST / 7:30 PST (see link below for global times).  From a live performance in Bushwick Brooklyn at Goodbye Blue Monday, we will be producing a live video webcast of the Alex Carpenter/James Ross/Michael Waller show. So if you can’t be there you can be there!

Richard Lainhart and I will be tag-team tech producing this event for ImprovFriday and I’m very jazzed to be involved in this ImprovFriday ‘first’.

For times specific to your local visit Time and Date.

If you’re in the NY area please come on down to the venue, directions here, but if you can’t catch it live at ImprovFriday at http://improvfriday.ning.com!